they don’t have any skin, that’s why they are wearing so many clothes, otherwise they would fall apart.
Ti auguro una seconda pubertà.
this great blog made my day…( just for italian speakers)
(Source: iotimaledico)
before/after
DUCK KINGDOM
pictures by Osowicz/Parlato
BREAVEHEART AND SHIVAMOVIC
We deserve sunshine
me and breaveheart
Ola and shivamocic
assuming she is pretty,
as we have appreciated in her last piece: ”carrying Cassandra until the end”.
assuming I’m disturbed,
as we have noticed in my last piece: ”unfilled”.
from here we start,
assuming I’m pretty as we have appreciated in my last piece: unfilled
assuming she is disturbed as we have noticed in her last piece: ”carrying Cassandra until the end.”
from here they start.
you may call her shivamocic
you may call her breaveheart
this is the story of an encounter
where super heroines use to have back pain and spots.
the youngest has blue eyes
the oldest, on the other hand, has eyes blue but sometimes green.
the super heroin’s piece has been developed following few main strategies: potential danger, displacement of solos materials, other way round creation process,obsessive documentation.
In order to feed their creative process they also developed practices of passions and violence as teaching to each-other their own master piece recipes, meet their pets and take a boat to cross the river.
white bones wait!
here we are
shut me down and put me in a box
oh jesus
I’m leaving you
oh god
oh god
oh
god
never leave me again.
LITTLE MARMAID HAS NO HOLES
UNFILLED SEEN BY OLA OSOWICZ
UNFILLED
I wanted to make a ritual, it became a practice and, then, a performative act
partiture (x 3): entering the space,do not take any position. mapping. don’t be anyone. propositional. little sparrow don’t go away. and yet it does move. stay idiot. don’t do it. snow plough. precipitator. still idiocy. dichotomy means three or more. refrigeration. marinating. drying up. Fenia . he who finds, finds. talk and badge, out of mouth. accordati. di grazia.
in october 2011 forum dança asked me, as student of pepcc, to create a solo to be presented in november in espaço alkantara, Lisbon.
the work in its actual shape is the result of a ritual I’ve been practicing everyday for two months.
by performing this ritual I’m exploring three different states, starting from the concept of body-identity and travelling in the space in between until the perception of what I call a body territory,a collective, crossable and sharable space.
Aim of the ritual is to rich this place of grace.
LUCIA DI PIETRO AND I
AZZURRO 12
I’m not always connected to the bottom of the oceans. I’m not always connected to the wings of the insects or to the little red spiders. I’m disconnected, sometimes, for a very long time. And I spend all this time trying not to get worried.
ABOUT ME
I’m currently busy in finding a new date for celebrating my birthday.
Meanwhile, I’m studying to become a contemporary countrywoman.
“we definitely became a generation :
(it’s not about understanding, It’s about the state) matthieu are you aware we are inside a car? ” OlaOsowicz
BREAVEHEART INTERVIEWED BY SHIVAMOVIC
I feel very confused,
so, characters are many but one.
they recognize themselves by colours.
feeling by nose
touching by lever
seeing by coccyx
smelling by ears
they have a specific space, confort zones where they feel safe, sometimes they get out of this places and risk their life in front of the audience. brave performers.
lot of layers:
pink one is talking with black one, pink is taking off her pink skirt , undert that he has a black skirt. black one is confused.
they become other characters all the time.
they don’t have any skin, that’s why they are wearing so many clothes, otherwise they would fall apart.
my goal is to do not kill myself after the show and also to do not lead audience to commit suicide.
rainbow today wanted to commit suicide,
doçe de worm wants to suicide itself in the rainbow.
each character produces a specific animal cry
rabbit is special, he has some problems, he actually is a rabbit in the body of a cat.
if you loose you get naked, deal?
there will be a collage of the most cheesy and romantic songs ever, just to emphasize the dramaturgy of the love encounter.
the love story will be projected in the mirror of the theatre’s toilet .
so one goes to the toilet , he sees himself into the mirror and his image is totally integrated with the love story.
ones a woman fell in love in that toilet. she is still there
audience is very active, they can vote ,scream and follow the emergency exit.
.dream a little dream of me.
there are these two porno dolls without holes,
pornoola is giving her organs to pornovale. not orgasm, organs.
once upon a time they were real, then industrial production came and they started to be multiplied .
at the beginning they had no holes, just organs. no holes no orgasm.
now they are old fashion.
SHIVAMOVIC INTERVIEWED BY BREAVEHEART
Ninetta is running thoughtlessly .
We are lost in truck land.
I consider my works accomplished after the first rehearsal.
I don’t want audience to become aware of anything. you know.
I feel very stupid editing this.
Let’s make this interview as long as possible
I’m inspired by my family.
Mum is a producer,
dad is a scenographer,
Brother organizes sounds material,
Sister is a dramaturgist,
it’s a total bore.
Braveheart is a new member of family.
the Piece consists of four parts and three characters :
-Braveheart (playing Braveheart) ,
-Ninetta (wearing cat’s mask)
- me (in policeman costume adapted to shivamovich).
We are shifting roles all the time.
Braveheart becomes shivamovich, I become Braveheart, Ninetta in policeman costume, Braveheart wearing cat mask and so on…
I used to care about embodiment, now I’m a blogger.
We are an imperfect family. It’s imperfect because it’s real. you know…The line between perfect and imperfect is very subtle.
In perfection imperfection is contained.
Breaveheart is master of imperfection.
Ninetta lives in an imperfect World. She doesn’t have money and can not afford to buy organic dog food from Brio.
My life and my work are strongly connected. As performer I’m currently looking for happiness. With Braveheart we are trying to have great fun while performing. This is our strategy. we also want to make money. shame on us.
Orgasmic state is maintained for such an extended length of time that it becomes unpleasant. How to stretch time without breaking my orgasms? what is a performative orgasm?
How to do not lose lighters in the pockets – this is very important, it could change the quality of your life
Yes,Braveheart enters the space with mermaid costume, a post contemporary mermaid carrying bombs.
With these bombs she is destroying the Theater.
Ninetta is taking care of the audince, yes ….she is biting them…but just to lead them toward the emergency exit.
I enter into the truck and I scream: – everybody jump in! after they jump, we leave Theater by truck.
Alternative version :
Ninetta, Truck and Emergency Exits are projected on back wall, integrated with space, audience forget that this image is not real. Confusion with what is real and what is fake. Ninetta is running thoughtlessly , truck is coming toward audience and green exits are just flashing.
I drive a bike instead of a truck, Braveheart is fixing a second bike during the whole piece.
At the end of the show I can carry on my bike and rescue at least 15 people .
Huge trucks and little balloons.
we enter in to the trucks, balloons are entering in to us, I mean balloon’s air.
At the end Braveheart won’t sing a song.
if we forgot someone we would come back to pick him up at the end of next show.
